
Issue 1, February 2008
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Clinic
Julie Christman
I. On the edge of the sink, it teeters, gleaming white, a Popsicle stick full of urine that tells the future. Its clairvoyance: two plastic windows with glaring magenta stripes, error proof in testing for errors. You stand to my left, feet spread wide, legs stiff in defiance, arms glued to your sides. Frozen. Staring at the teetering Popsicle stick and its two pink lines. You waiver slowly, body winces. You turn toward me, or maybe I turn toward you, in slow motion. I grab your shoulders; your wool sweater scratches the palms of my hands. My grip iron like your will. A flash, I catch your eyes: wide, dark, wild. Swollen from crying—a face like moonlight.
A terrible secret caught in the Popsicle stick teetering on the edge of my bathroom sink.
You shake your head, trying to shake loose from the fear, the truth that made you wince. Matted black hair swings, stirring the tension. You look like you have awakened from a nightmare, knowing that we have awakened to it.
"Is that pink? Shit."
"Yeah, it's really pink."
"Shit." Cracked voice: low, quiet.
I pull you closer, feel your breath heave against my chest. The sound of the faucet dripping echoes loudly.
"Shit. I really fucked up this time."
We stare at the sink, at the white Popsicle stick. It doesn't change. The line doesn't fade. It grows darker, bolder.
Your cigarette haunts the air. Its stale smell lingers. Smoke curls around your trembling hand resting close to your lips. We try to joke. It almost works. But not until I throw the test away, wrapping it in a white tissue, burying it deep in the blue plastic trash can.
II.
Heavy bodies fill the chairs: moist, shifting bodies. The mauve chairs groan, sweating under the thick, stale air. The blinds tangle with the humidity of these corralled bodies. We almost can't find two empty seats together.
Take a number, get in line: first for consultation, then tests, then procedure. I foolishly prided myself on getting you here one minute before your scheduled appointment. Everyone must decide on the type of anesthesia upon registration. Local, intravenous, surgical. You decide on intravenous, knowing local to be a long needle inserted into the cervix. The girl who arrives just after you proclaims loudly that she wants to be knocked out cold, turning to see faces swivel toward her and smiles of sad confusion.
"Your ride will stay the entire time." The nurse peers over her reading glasses, at patient and escort. It’s not a question; it’s a command. With a nod you hand over your Visa card. Five hours. Five hours of sitting trapped, the seats gradually emptying, women disappearing behind the brown metal door.
After the first hour, you return with a white bottle in your hand and a release form. The receptionist crosses the boundaries, leaves her protective, bulletproof-glass cubicle to switch on the air conditioning.
You go, leaving me your bag, the sweater that made my palms itch.
The hollow hiss of the AC and a relentless drill pounding somewhere next door digs into the back of my neck. I try to sleep to pass the time, squirming in my chair, curling up and feeling discomfort passing over me in warm waves of nausea. I wish time moved like it does in the movies. Five hours.
I change seats to face the blurry TV. Talk shows: I hate talk shows. I try to read. There is a book of poetry in your bag. I hate poetry. I read it anyway. What happened to warm smiles, tranquil blues and water fountains? What happened to quality care? To gentle updates and soft reassurances that we are all in this together? My impatient cravings swell. I want a cigarette. I need some water. It's only been three hours; what's fifteen minutes? This is like high school, having to ask for a hall pass to go to the bathroom. I want to prop the heavy door open with my foot and listen for my name, but someone would complain about the conditioned air (and me) escaping. Outside, the sun is hot, pushing the warm nausea through my arms and legs, pooling in my stomach. Will they call over the crackling intercom, "Julie for K. K is ready." I look for darting heads, searching for an absent driver, wishing the glass windows were thin enough for some sound to trickle out. But it's only been three hours.
I run to the supermarket for bottled water and doughnuts. Breathless, I almost forget my change.
Back inside, a dull haze settles over the room. I try to picture what you are doing yet I can't imagine anything but waiting, waiting, with the blurry TV, hissing AC, pounding drill, and crackling intercom. A 12-year-old girl tries to play with her sister's hair, whining about having to stay so long. Her sister, only 15, is next. We are strangers bound together by silence. It becomes a game: try to match driver and patient, try to remember the wet and shapeless faces herded together in the agonizing sweatbox however many hours ago. Through our imagined anxiety, waiting, waiting. We keep time in this factory full of rubber-gloved, middle-aged nurses and mustard brown files with a rainbow of cellophane tabs. Montel, now on the fuzzy screen, tripping with horizontal lines of white.
"Where is Michael? Michael? Does anyone know Michael?"
"Oh, I think he's in the parking lot. I'll go get him. By the way, how is Jasmine doing? I'm her sister."
"She's in the recovery room. It should be about another hour."
Just conveyors for the assembly line that has been here and serving for over twenty years. Plastic smiles behind bulletproof glass. We are not here to question reputation. Just wait. In hard narrow chairs, the sun blinding behind the thick vertical blinds.
III.
Late in the afternoon, the room grows barren, stale. This grueling patience evokes tears of frustration, a loud scream, laughter, something, anything to shatter the tension, to slice through the gloom, to lift the burden of responsibility. After five hours, I hear my name signaling that you are ready. I fly to my car, my heart in my throat, rolling all the windows down and pushing the passenger seat back to give you room.
You wobble out the back blue metal door marked with an orange X, clothes in wrinkled disarray, nibbling on a graham cracker, somehow looking fresh like spring. Your dark eyes are bright. They have given you back your body.
"I felt everything." You climb into the car in slow motion. I am at your elbow, rushing, frantic.
"I need a cigarette. The needle hurt. The pulling tension, strange, I could feel it, but it didn't hurt."
You fill in the holes, make me feel like I hadn't waited. Your Asian doctor tore your band-aid off slowly, tugging and yanking the hair on your arm, and then warned you that he was going to pull it off fast. What is the point, you told him, since he already got it off the hairy part and he told you that at least it wasn't your balls. We laugh. The girl who wandered out with you, the 15-year old, babbled about eating pizza after the 12-hour fast. And the girl who wanted to be out cold became hysterical before going under.
The rest of the way home, we talk about what you want to eat.
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